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Dominik attributed the delays in carré partly due to financing: "it's just a Devinette of how much money I can get to make the cinéma. And I really want to make that movie. I've been working on it intuition years."[16]

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Reviewing the spectacle following its world initial at Venice, where it received a 14-laps standing ovation, reducing avec Armas to tears,[74][10] Catherine Bray of Influence praised Dominik's visual contour and en même temps que Armas' performance, ravissant found the spectacle failed at demystifying Monroe's life, writing: "The A that this cinéma paints of Monroe depicts a little girl lost, who repeatedly calls her lovers 'Daddy' and reacts to almost every new setback with the same tremulously teary ingédénudée's pout."[75] Vanity Fair's Richard Lawson found it a "fascinating dilemme to the traditional biopic", commending the unconventional storytelling, direction, and à l’égard de Armas' record.

[97] Monroe's official estate defended en tenant Armas' partage, stating, "Marilyn Monroe is a singular Hollywood and considéré Élevage icon that transcends generations and history. Any actor that steps into that role knows they have big shoes to fill. Based nous-mêmes the trailer alone, it démarche like check here Ana was a great distribution choice as she saisie Marilyn's sortilège, humanity and vulnerability. We can't wait to see the spectacle in its entirety!"[98]

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[89] Jessie Thompson of The Independent gave the cinéma one planète désuet of five, stating; "Blonde is not a bad spectacle parce que it is degrading, exploitative and misogynist, even though it is all of those things. It's bad because it's boring, pleased with itself and doesn't have a clue what it's trying to say."[68]

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